Recently, cyberpunk has gained popularity once more. The game "Cyberpunk 2077" will undoubtedly be on your social software site, even if you don't grasp the terms "cyber" or "punk." There have been constant debates concerning this 3A game since the initiative was founded in 2012. On station B, the 2018 trailer was seen almost 2 million times, whereas the 2019 trailer was seen nearly 5 million times. The anticipated release date for this year has been delayed three times, but in less than a day following the official release, the number of online gamers on Steam surpassed one million. Apart from its distinctive "squeezing body" connection, "Cyberpunk 2077" immediately became a much-talked-about and derided issue on prominent social media sites.

The cyberpunk worldview setting of "Cyberpunk 2077" is actually what makes it so alluring: a high-tech future society, a ghostly world lit by neon lights and advertising screens, cybermen who have undergone biological transformation, a small, dark alley filled with violence and crime, a widening wealth and poverty divide, and the coexistence of heaven and hell.

It stands out from other 3A games because of its distinct point of view, and people's active imaginations seem to be best expressed in the virtual environment.

Cyberpunk is unrelated to Versailles and is not a band. The prefix cyber- and the word punk from cybernetics combine to form the compound noun cyberpunk. Since its inception, the word punk has been rebellious, giving the word "swearing" a positive social connotation. Combining the two terms creates an impulsive, rebellious emotional drama between people and robots. Cyborg is the root of the word cyborg. The 1948 book "Cybernetics" by American mathematician Wiener is where this idea first appeared. He blurs the line between human and machine in the book by equating the feedback mechanisms of biological and mechanical systems, offering a theoretical foundation for bio-mechanized transformation.

In a nutshell, cyborgs are people who employ outside influences like science and technology to better themselves or their bodies. People with pacemakers, dentures, or prosthetics can be considered the more basic kind of cyborgs. As technology advances, it's possible that more robots may replace human bodies in the future. When this modification reaches a certain point, it will become the terrifyingly reinvented person in cyberpunk.

The punk movement of the 1970s is connected to the term punk. Punk encompasses punk rock and music lovers as well as negative associations like hooligans and useless objects. Some of the more exemplary punk bands are Sex Pistols, The Clash, and so on. They wear bizarre costumes, are well aware of countercultures, and the most of them still subscribe to the idea of "anarchism". These ideas are now part and parcel of the cyberpunk fantasy.

The majority of them were raised in environments that combined high tech and low life, typically with cutting edge science and technology, and were then contrasted with a degree of social structure collapse. The narrative typically centers on the idea that secret societies or powerful financial groups heavily influence society, and the main character takes advantage of this to achieve some kind of breakthrough. "Cybernetics" and "Cyborg" were key elements in the formation of cyberpunk, and they were particularly evident in the recently published science fiction novel "New Wave Movement"!

born in the city center

The "golden age" of scientific fiction themes gave rise to the works of renowned American science fiction author Philip K. Dick, who also experienced the entirety of the "new wave" movement and had a direct impact on the "cyberpunk" subgenre in subsequent years.

The Hugo and Campbell Award-winning science fiction writer Philip K. Dick (1928–1982) was born in Chicago, Illinois, USA on December 16, 1928. He is also referred to as "a science fiction writer among science fiction writers."

Philip K. Dick authored numerous books that are still in print, as well as a few short tales and pieces that were featured in American open-shelf publications. His novels have been made into movies at least seven times. Even while renowned science fiction authors like Stanislaw Lem, Robert Heinlein, and Robert Silverberg acknowledged the writer during his lifetime, the general public hardly ever heard of him, and it wasn't until after his passing that readers began to take notice.

Dick's invention established the electric rebel subgenre. His writings all portray a Californian American culture that has ethically declined. In contrast to his later writings, which addressed religious subjects, his early novels mostly addressed social and political issues. The terms "Scheming Scanner" and "VALIS" are genuinely founded on his personal experiences. Plot developers frequently use other universes and simulacra, in which normal people—rather than the galactic elite—live in virtual environments. "There are no heroes in Dick's book"

The science fiction book "Blade Runner" describes how tensions between humans and replicants intensify in 2049 when they coexist. After years of disappearance, the new generation of Blade Runner K finds the old Blade Runner and teams up with him to stop it once more. the decisive conflict between replicants and humanity.

The cinematic adaptation of "Blade Runner" is a massive production that makes extensive use of artificial lighting. The majority of the film is shot in the dark, with very few moments taken in bright sunshine. This results in a great deal of contrast between light and dark. fired. It is a cyberpunk masterpiece.

"Blade Runner" has contributed to history by preserving the "cyberpunk" aesthetic for future generations. From dialogue descriptions to lens language, from text to cinema. In addition to spurring the growth of the creative sector, the quick development of science fiction movies has also produced a vibrant cyberpunk subculture.

It has not only spread over the worlds of Europe and America, but also among youth.

The protagonist of the "core formula" in the future-Japan was also greatly affected by the cyberpunk mania that emerged quickly in the 1980s. Japan's economy expanded quickly in the 1980s and 1990s. People's daily needs were under the hands of super-large corporations and powerful chaebols. The rate of unemployment stayed elevated. Internet refugees in huge numbers resided in expensive daily Internet cafes in Japan. In addition, society has not left the house in forty years and spends their entire day in the virtual world of social media. Young people are indiscriminately breeding and overflowing with the "house" culture.

KEROUAC Journal 1998

The style that appeared on Japanese streets in the 1990s was documented by the Japanese magazine "KEROUAC" in its 1998 issue. The Japanese economy was in dire straits when the economic crisis hit in the early 1990s. A significant number of youths have lost faith in conventional business principles. Some designers from the fashion industry got together on the streets to create their own identities, disregarding the laws and norms of society. As a result, punk, American street style, and cyber aspects started to gain popularity quickly.

The fashion cycle is bringing back the Y2K look.

Y=year 2; K=kilo. The acronym for the year 2000 is Y2K. Popular culture with a strong emphasis on optimism and technology utopianism emerged throughout the mid-to-late 1990s and peaked in the early 2000s, coined the term "Y2K." A variety of futuristic, modern, and avant-garde styles are included in Y2K aesthetics.

Y2K was initially more of a technological catastrophe brought on by the Year 2000 Problem, or the Thousand Bugs Problem, which led to a widespread failure of computers. The information paradise of cyberpunk begins.

Y2K was formed in a tranquil daydream and captured the most amazing hopes and wildest imaginations of people during that time, setting it apart from other styles.

That era's "aesthetic correctness" was characterized by flamboyant personalities and rich, highly saturated colors. Y2K is made up of futuristic elements, brilliant metal, transparency, candy color, computer data pages, and a three-dimensional sense of technology. A highly intriguing sense of cyber fashion is formed under contrasting hues, color block splicing, and other features. providing a powerful visual impression.

Cyberpunk is catching on and growing in the fashion industry.

In his solo works, California-based cinema digital artist Nick Sullo (also known as xsullo) mostly employs a cyberpunk aesthetic. He first saw and became drawn to digital art at the start of 2000. Since then, he has begun to produce a variety of works using the subject matter technology he has mastered. The sci-fi aesthetic that permeates Xsullo's personal artwork is cool, free-spirited, and effortless. With bold lines and strikingly vibrant colors, he blends cyberpunk's techno-dystopian emblems with surrealism.

These pieces frequently convey both a sense of the end and the future. It's simultaneously eerie, overblown, and intriguing. He frequently uses acrylics and spray paint on canvas to translate his profoundly felt internet artworks into the physical world. Each piece of art has a powerful, oppressive punk aesthetic. The feeling of picture readily draws in young individuals.

One way to conceptualize the world that emerged from the clash of punk and cyberculture is as a dystopian high-tech future. Based on literary, cinematic, and television works, there are three very clear features of this world.

vibrant picture system

Cyberpunk is characterized mostly by its powerful visual impact, particularly in urban environments. Electronic information abounds in cyberspace cities, and any building's exterior has the potential to function as a display screen. Everywhere you look are stereoscopically displayed ads. For instance, "Ghost in the Shell" has numerous 3D projections that are visible to the unaided eye throughout the streets.

Cyberpunk cities are primarily colored in cool hues like purple, blue, and green. It fits our perception of a chilly, high-tech culture on the one hand. However, combining these hues can frequently result in a striking visual effect akin to neon.

Scene from "Cyberpunk 2077" in-game

contrasting urban landscapes

Cyberpunk cities are generally densely populated with high-rise structures, featuring cold glass or metal façade to convey the future sense of sophisticated technology.

Because of their visual components, cities like New York, Tokyo, Hong Kong, and Chongqing frequently turn into "holy places" for aficionados of cyberpunk culture.

In addition, the city will have a lavish street scene akin to a slum in contrast to the tall structures, with the streets being dark and filthy because of the dismal tone of cyberpunk itself. In cyberpunk fiction, these are the locations where covert transactions frequently occur.

The impoverished areas in the film "Ready Player One"

Robots and Cybermen

Even in the absence of actual artificial intelligence, a vast number of altered people and robots will frequently inhabit the cyberspace of the future because to advancements in information technology, biotechnology, gene technology, and artificial intelligence. Furthermore, the globe has become more varied as a result of high levels of globalization and the breakup of nations, with racial, robotic, and human mixtures becoming the norm in every city.

△ "Cyberpunk 2077"

Many people think of cyberpunk as an unattainable future, but if we look at how technology is developing right now, we can see that cyberpunk is more of a fantasy for the not too distant future. Our lives have started to "cyborgize" in a way.

What form will the cyberculture sector take?

The cyberpunk subgenre has been the focus of several literary works, as well as films and television shows, since its inception. Motivated by them, a great deal of cyberpunk-inspired merchandise emerged as people started to embrace and even appreciate this viewpoint and aesthetic.

Electronic goods with a future technological feel are one category. Take this personalized "Cyberpad" that Russian luxury brand Caviar introduced, for instance.

Keyboards and headphones with a cyberpunk aesthetic are also available.

Clothes is another area where cyberpunk-inspired goods are found. Numerous well-known fashion labels have incorporated cyberpunk themes into their designs.

"Techwear" is a term coined to describe the imitations of cyberpunk. Similar to the cyberman's altered physique, "techwear" apparel aims to combine technological elegance with practicality. They have excellent, cutting-edge, and contemporary designs for technical enhancements.

ACRONYM is a representative brand.

The majority of products on the market, however, just appropriate the idea or aesthetics of cyberpunk; they are not authentically cyberpunk, and society's and technology's advancements are far behind that of the cyberpunk world. As such, it is challenging to predict with any degree of accuracy the shape that the cultural sector will take at that point. However, we can deduce a number of features of future cultural products from the state of technology today, the Internet's development pattern, and certain literary, cinematic, and television imaginations.

Sophistication

Every cyberpunk work will construct a virtualized society in which people can function as virtual identities by connecting to the Internet. It's possible that the majority of cultural items in the future will be exhibited virtually, for example, by wearing wearable technology to simulate augmented reality (AR).

Furthermore, virtual idols might catch on with the general public. Future idols could be created to fit the demands of all, better satiate fans' cultural inventiveness, and increase the joy of chasing stars. This trend is already extremely apparent right now.

"Blade Runner 2049" is the movie.

deep and involved

Cultural items will then transition into the immersive mode of multisensory linking, in addition to remaining in the visual or auditory sense. The virtual reality of "Ready Player One" might come true as a result of the ongoing advancements in VR technology, which will also alter current entertainment techniques.

Personalization

Cultural scholars have long criticized the cultural industry for its mass production methods, but as artificial intelligence, 3D printing, and virtual reality technologies advance to a certain point in society, and the manufacturing sector undergoes significant advancements, cultural products and content will undergo a gradual transition from mass production and standardization to customized and varied production. Cultural items, particularly virtual ones, will also be tailored to the demands and interests of their customers. In general, cultural consumption will become a personalized and customized method of consumption.

Like the shadowy areas of Cybercity, cyberpunk is inherently dismal and melancholic, despite the fact that this page has offered many amusing interpretations of the genre. The core idea of cyberpunk is "high tech, low life". Here, the standard of human habitation has declined rather than increased. Through biological metamorphosis, humans in the cyber world immobilize themselves and escape reality by stepping into the virtual realm. Cyberpunk is, all things considered, a dystopian technological nightmare in which the mind is consumed by matter.

But technological advancement does not merely end in the cyberpunk universe. Even while we should be on guard at all times, we can still have hope. In recent years, cyberpunk aesthetics have once again taken the fashion world by storm. It looks to the future while paying respect to the classics. The meeting point of a traditional, nostalgic feeling of the past with futuristic magic, optimistic expectations for the future, and science fiction. While styles change over time, artistic brilliance never goes.